With the UK almost certainly entering a recession – Q3 has seen negative GDP growth – and inflation driven mostly by energy prices and other supply bottle necks, difficult times lie ahead for the creative industries. The government has announced fiscal tightening of £55bn, through both spending cuts and tax rises.
The Office for Budget Responsibility (OBR) expects a real term reduction of household income of 7% over the next two years – which would be the largest in decades.
The cost-of-living crisis brought on by the rising energy prices as well as interest rate increases, introduced partially to offset inflation, leave little wriggle room for government budgets. The OBR has calculated that every percentage point increase in interest rate increases government short-term borrowing costs by £13bn.
The creative industries, as a fast-growing sector, could support the UK’s recovery from some of the challenges it will face. Across its sub-sectors the sector generated £116bn for the UK economy in 2019, were growing at four times the speed of the economy as a whole, and exported £37.9bn worth of services. Yet, there are very few specific mentions of the creative industries in the Autumn Statement, although some other announcements on R&D and Levelling Up seem to point in the right direction.
Alongside the Autumn Statement, the government is planning a consultation on reforming audio-visual creative tax reliefs. The government will consult on a series of proposals to further incentivise the production of UK based content and support the growth of the audio-visual sectors.
The PEC welcomes the announcement that the aim to invest £20bn in research and development (R&D) by 2025 is going ahead. While not all R&D interventions suit the need of the sector, for many businesses that rely on support for R&D for product and process innovation this will be good news. The nine Catapults centres will see an increase in 35% over this period, which includes the Digital Catapult centre in Northern Ireland.
Policies on Levelling Up aim to decrease economic differences that exist between places in the UK. PEC research on creative clusters, such as the Creative Radar project, has shown that creative industries are more widespread across the UK than commonly believed. Our research, however, also shows that if past trends of a higher growth rate in London and the South East continue, then employment growth in the rest of the UK would have to increase fivefold over its current trend to catch up in twenty years. To counter this, we welcome the devolution announcements in the Autumn Statement, which will create new devolution deals in additional areas, as well as deepening existing ones with the Greater Manchester and West Midlands Combined Authority, to include skills and economic growth funds, which are crucial to the sector. Additionally, some potential high growth knowledge intensive local clusters will receive support in the form of deregulation as well targeting local research strengths. Creative companies outside London and the South East, who work in or with these clusters, could benefit from this.
The Autumn Statement leaves the specifics of the DCMS budget still unclear, for example, the distribution of arts funding to the different programmes and funding bodies financed by the department. The details of these will be decided in the near future and the PEC will continue to work with stakeholders on this topic.
_________________________
Image credit: Aswin Mahesh on Unsplash
Related Blogs
Creative PEC: A Year in Review
Looking back at Creative PEC in 2024 – a year of policy, research and industry achievements, events,…
Measuring the economic value of digital culture
What are consumers are willing to pay for digital streaming services, and how do we measure it?
Lifelong learning in the creative industries, part 2: the solutions
In part 2 of the blog, our Industry Champions discuss possible solutions to the challenges of lifelo…
Lifelong learning in the creative industries – part 1: the challenges
Our Industry Champions discussed the challenges faced in creative industries education and lifelong …
Creative Corridors: Connecting Clusters to Unleash Potential
Introducing the Creative Corridors framework.
Creative UK Access to Finance Survey: Share Your Views
Professor Hasan Bakhshi, Director Creative PEC and Josh Siepel, Research Lead, R&D, Innovation a…
Unlocking the power and potential of the U.S. creative industries
Cellist Yo-Yo Ma in conversation with Upstart Co-Lab Founding Partner Laura Callanan at “Inves…
Reflecting on a year of State of the Nations reports
We’ve now published a full cycle of our new ‘State of the Nations’ series – which use th…
Copyright protection in AI-generated works: Evolving approaches in the EU and China
Prof Kristofer Erickson discusses the different approaches the EU and China have taken in response t…
Introducing the World Creativity Organization
Edna dos Santos-Duisenberg (member of Creative PEC's Global Creative Economy Council) & Lucas Foster…
Island in Transition: The Journey from Reggae Music Mecca to Creative Economy Hub
Andrea Dempster Chung, Co-founder and executive director of Kingston Creative A blog from Creative P…
UK engagement in Central Asia: Education and the creative economy in the territories of the ‘new Silk Roads’
Dr Martin Smith and Dr Gerald Lidstone look at the history of the British Council's work in Central …